Medea as Woman, Hero and God in Euripides Play Essay -- Euripides Med

Medea as Woman, Hero and GodIn Euripides play the title role and contract of the play is the foreign witch Medea. Treated differently through the play by different people and at different times, she adapts and changes her character, finally triumphing over her detest husband Jason. She can feasibly be seen as a mortal womanhood, Aristotles tragic hero figure and even as an exulted goddess. Medeas identity as a lame woman is emphasised at the very start of the play. It is made very clear that she has come to misfortune through no fault of her own and is ineffective in her problem (her world has turned to enmity). Being unable to change her situation is an example of her portrayal as a weak woman figure. We are told that she has been crying for days (lies collapsed in agony). Soon after these descriptions of her weeping, the Tutor arrives and informs us that yet more bad news is coming her counselling ( non heard the worst banish them). At this point all the pity is directed towa rds Medea, shunned by her husband and unable to control what is happening close to her, instead crying uncontrollably (shouting shrill, pitiful accusations). Behind this weak figure however, we have the warnings of the Nurse, shadowing this pity. She describes Medeas fury brewing from the grief and how powerful it is (not relax her rage like a mad bull or a lioness). Her appearance as a woman in grief is healthy depicted but very soon Medea emerges from the house, shaking off this grief and instead focusing on revenge. Her speech when she leaves the house gives us some depict of her sour temper. While talking she comes across as submissive (I accept my place) and describes the unenviable position of women in society (we women are the or so wretc... ...tion for what they perceive to be justice. Works Cited Bates, William Nickerson. Euripides. Philadelphia Philadelphia Press, 1930. Euripides. Image-Nation. http//www.imagi-nation.com/moonstruck/clsc4.htm Lucas, F.L. Euripides and His Influence. NY Cooper Square, 1963. Euripides. Medea. The Norton Anthology of World Masterpieces. Ed. Sarah Lawall. New York and London W. W. Norton & Company, 1999. 642 - 672. Hamlyn, Paul. Larousse Encyclopedia of Mythology. Westbook House, Fulham Broadway, London. Paul Hamlyn Limited 1959. McDermott, E A (1989) Euripides Medea The Incarnation of Disorder. daddy State UniversityUSA Oxford Companion to Classical Literature. Oxford Oxford University Press, 1989. Zissos, Professor. Classical Myth Lecture Notes. July 20, 2001. http//ccwf.cc.utexasz.edu/paz/myth/notes.html